Where you find a magazine focused on Street Photography paying you? Exactly: THE STREET PHOTOGRAPHER NOTEBOOK is the only one in the world to make this. All the others are promising you visibility. But hey….this is your work! And who is paying with visibility? You or them? Don’t believe them because they are making their own business with your work!!!

It doesn’t matter if you are a professional or an amateur photographer. Your photography needs to be paid when people is making money through a magazine.

Yes, I know: this is an idea overcome by this bad habit of this world, but exactly for this reason I am committed to re-change the rules of the game.

Now, you know. Then it is your decision. But remember that when you get labelled as photographer for free you will be always a photographer for free.

Here you have a magazine paying you. Hey, we don’t get rich. But your work is paid with a quote from 20% to 40% depending on your presence on the magazine.

For any other question you can write me an email to: alex@alexcoghe.com

THE JURY HAS VOTED. THE WINNERS OF THE SINGLE CATEGORY FOR THE TSPN 2019 ARE:

WINNERS SINGLE CONTEST

1ST PLACE

2ND PLACE

 

3RD PLACE

 

 

4-10 PLACES

 

 

 

 

 

 

 

 

 

 

CONGRATULATIONS TO ALL THE PARTICIPANTS. I REMIND YOU YOU CAN STILL PARTICIPATE TO THE TSPN AWARD 2019 FOR THE SERIES CATEGORY.

CHECK OUT:

TSPN AWARD 2019

 

THERE ARE IMPORTANT NEWS FOR THE STREET PHOTOGRAPHY AWARD

 

WITH 80 DAYS LEFT THE AWARD ENTERS ITS HOT PHASE

•  TSPN FEE SERIES CATEGORY – UP TO 10 PHOTOS (YOU WILL RECEIVE 2 ISSUES OF THE MAGAZINE) – €10.00

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THE STREET PHOTOGRAPHER NOTEBOOK AWARD 2019

In the single category we have already several submissions:

TSPN FEE SINGLE CATEGORY SUBMISSIONS

To know rules, prizes and further details about the award visit the official page on this website:

TSPN AWARD 2019

In the last day I published on my Italian blog fotoreportando an article where I take the distance from the street photography term.

I JUST UPDATED THE GALLERY WHERE I AM PRESENTING MY NEW STREET PHOTOGRAPHY

If you think street photography is just one, you are wrong.

I just updated my gallery of 2019 work in the streets. After 10 years of career, where people have known above all my black and white photos I embraced a new life switching completely to color. The color as I like. My color.

Il 31 Marzo si avvicina. L’ultimo giorno utile per iscriversi ai miei workshops di ITALIA DOLCE VITA che dal 2013 porto con successo nelle città Italiane. Quest’anno le date sono:

BOLOGNA 11 MAGGIO

PALERMO 18 MAGGIO

CATANIA 25 MAGGIO

ROMA, DISPONIBILE PER UN SOLO ONE O ONE WORKSHOP

In Sicilia dunque starò oltre una settimana dove resterò a disposizione dei miei allievi per il loro racconto visuale. Vi ricordo che i partecipanti saranno pubblicati in libri stampati ed edizioni elettroniche.

Questa la pagina da dove effettuare il pagamento per l’iscrizione:

ITALIA DOLCE VITA WORKSHOP

 

THE ISSUE 51 IS AVAILABLE

Arnold Despy and Fréderic Mahy in this new issue.

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Street Photographer Notebook

What is the meaning of street photography if anything is calcultated and too perfect?

I don’t like perfection and not even the pursuit of perfection.

It can be nearly meaningless and ordinary, sometimes stupid o boring or something I will not consider after for a publication, but  it doesn’t matter. Photogaphy is about the moment in my opinion,  in a given instant I decide ti pess the shutter and I can’t be sure anything worked as I hope. I need to deal with it. Any street photographer deals with it.

When it worked, anyway, is a precious gift.

In this case for example. The shadow of the arrow makes the photo.

This is street photography to me. Without being excessively complicated. Direct. Straight. Based on instinct. Grabbed from the magical gift of chance.

 

I was going through the archive for today’s blog and I found this. I took this picture in Oaxaca,on 2016 07 29.

If you ask me I thinks is not a great image, just a everyday photograph, as many I do to stay sharp on the street. But is perfect to talk about something very important to me. 

In fact: I believe this is the secret of Street Photography.

Hey, listen to me…

Today many think to take a workshop because they need to have the clearest ideas on photography to do. It is a mistake.

The photograph above is a general portion of a day in the street hustle in a Mexican city. The moment is filled with energy, something I’m always careful to record with my camera. As I said is nothing special, but maybe exactly for this is a photo I would propose to accompany this text. We need of photos like this when we ae on the streets to make our practice, because it keeps us awake and ready to react in this sight game called Street Photography.

A special issue celebrating 50 issues of the electronic magazine.

You can get it now. Become a subsciber or buy your favs!

Street Photographer Notebook

 

 

WITH THE PUBLICATION OF THE STREET PHOTOGRAPHER BOOK WE SHOW HOW A FACEBOOK GROUP CAN ACHIEVE TO REALIZE A GREAT PRODUCT JOINING FORCES

La mia foto “Dreams” inserita nella pubblicazione “The Street Photographer Notebook” curata dal fotografo Alex Coghe  soddisfatto. – MARIO FILABOZZI

 

Deliberate chaos.

Lines and geometric shapes. Signs.  And then, suddenly, she.

SO, WHAT DO YOU EXPECT FROM YOUR STREET PHOTOGRAPHY?

Yesterday I walked 3 hours, crossing several barrios. I lost myself in order to find moments interesting to me. I found myself in places I knew for the first time. 

When last year I directed the photowalk in Orvieto for the FIOF many of them confessed they were surprised. Surprised because I, unlike all those who had preceded me in giving a lesson in street photography, I had not dispensed rules, I had not put stakes or constraints, I had not gone there saying that they had to use one camera rather than another or follow certain visual impositions.

Here, this anecdote is exemplary to present my philosophy and my didactic approach. And it also helps to clarify with certain voices, totally infodate, on my stiffness in front of the concept of street photography. Voices generated by those who have every interest in presenting me in a way rather than in what I am as a photographer and as a photography teacher.